- 50.1MP1 full-frame stacked Exmor RS™ CMOS sensor w/ integral memory
- 8x more powerful2, next generation BIONZ XR image processing engine
- 50.1MP RAW+JPEG up to 30fps3 w/ 120 AF/AE calculations per sec.4
- Blackout-free5 shooting up to 30fps3 from fast sensor readout speed
- World’s first6 240 fps refresh rate, 9.44M1 dot 0.64” QXGA OLED EVF
- World’s first6 anti-flicker mechanical and electronic shutter
- Dual drive mechanical shutter for up to 1/400 sec. flash sync
- Anti-distortion electronic shutter w/ flash sync7 up to 1/200 sec.
- Silent, vibration free electronic shutter w/ all-in-one Silent Mode
- Real-time AF tracking, Real-time Eye-AF (humans, animals, birds)8
Vertical Grip for α9 II and α7R IV
Full-frame A-mount Lens Adaptor for E-mount cameras
Wireless Radio Receiver
The α mission
The α mission is to give creators the power to realize their dreams. The α1 is its most potent expression to date.
50 MP at 30fps
The latest Sony technology delivers unprecedented speed and resolution for new creative possibilities and workflow.
A brilliant blend of resolution and speed
Overwhelming image quality
Unprecedented movie performance
Control and reliability for any scene
A new workflow solution for professional needs
50.1 megapixels at up to 30 frames/second
The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1-MP sensor allows continuous bursts at up to 30fps 3 with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.
Blackout-free for an uninterrupted view
An interrupted blackout-free view of the subject lets you respond instantly and seamlessly. The EVF is updated to minimize latency during continuous shooting.
(A) Blackout-free Shooting (B) Shooting with blackouts
120 AF/AE tracking calculations per second
Fast sensor readout enables 120 AF/AE calculations per second 4, even during 30fps bursts, for pinpoint AF tracking precision with fast and erratic subjects. AE latency is less than 0.033 s.
(1) AF/AE calculations (2) 60 times/s (3) 20 frames/s
Silent, vibration-free shutter 4
A silent electronic shutter provides greater opportunities for shooting sports and other subjects where noise is not tolerated. Vibration-free operation contributes to high image quality.
Fast sensor readout minimizes still-image distortion 5 20 when using the electronic shutter. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.
 Conventional electronic shutter  Anti-distortion shutter
Flicker-free electronic & mechanical shutters
Another world-first: 6 flicker-free electronic and mechanical shutters. You get flicker-free shooting under fluorescent/artificial lighting with all the benefits of the electronic shutter.
Anti-flicker  OFF  ON
Full-frame stacked 50.1-MP Exmor RS™ CMOS sensor with integral memory
A stacked architecture in this back-illuminated 50.1-MP full-frame image sensor contributes to high resolution and speed. Separate pixel and circuit layers and advanced A/D conversion mean faster processing.
All-new architecture and BIONZ XR image processing engine
The new BIONZ XR engine features advanced architecture that delivers 8x greater processing power 2. The result is outstanding image quality as well as improved camera interface response.
Flash sync with electronic shutter
For the first time in an α camera, electronic shutter flash sync 7 is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.
Dual driven shutter drive for flash sync up to 1/400 s.
The world's first 6 dual driven shutter system allows flash sync up to 1/400 s., making it easier to capture dynamic action, and opening the door to new creative possibilities.
Breathtaking resolution and image quality
The new 50.1-MP Exmor RS CMOS sensor delivers high resolution and sensitivity with low noise, plus up to 15 stops 12 of dynamic range. A new image processing engine achieves even better color accuracy than previous models.
Wide ISO 100–32000 sensitivity range
Pixel Shift Multi Shooting
Despite the sensor's high pixel count, a sensitive back-illuminated structure with gapless on-chip lenses and an AR coated seal glass allows a standard ISO range of ISO 100–32000, expandable to ISO 50–102400. 11
Up to 16 images shot with precise in-body image stabilization control can be combined via computer software to create photos with up to 199 million pixels for extraordinary resolution, color, and atmosphere. 12
 Normal Shooting  16-image Pixel Shift Multi Shooting
Creative Look supports varied expression
5-axis optical in-body image stabilization for a 5.5-step advantage
The Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of "looks" that can help creators fine-tune the mood of their stills or movies in-camera.
A precision stabilization unit and gyro sensors plus the latest image stabilization algorithms deliver a 5.5-step 9 shutter speed advantage, maximizing the quality of high-resolution images.
 Yaw  Pitch  Roll
Real-time Eye AF for birds 8
High-level subject recognition technology now makes it possible for Sony's Real-time Eye AF function to track and accurately focus on bird eyes, even if the bird suddenly takes flight or the framing changes. This innovative function easily meets the many challenges of bird photography. 1
Improved Real-time Eye AF for animals 8
Real-time Eye AF
Primarily designed for cats and dogs, this feature employs advanced subject recognition technology to reliably track and focus on animal eyes. 1 It even works if the animal's face is upside-down.
Combining state-of-the-art AI technology and evolved Fast Hybrid AF algorithms, Real-time Eye AF in the α1 tracks and focuses on human eyes with approximately 30% greater precision than the α9 II.
Wide, fast, precise AF tracking
Select a subject, half-press the shutter, and the camera will track and maintain focus automatically. Turn on AF face/eye priority for seamless AI-based tracking of human, animal, or bird eyes.
The α1 features focal plane phase-detection AF that is sensitive, fast, and precise. The 50.1-MP sensor and BIONZ XR engine provide 759 selectable phase-detection points 13 covering about 92% of the image.
Next-generation 8K 14 30p recording
The new image sensor and BIONZ XR engine in the α1 deliver 8K 30p movie recording capability for extraordinary realism. Four times the resolution of 4K with full Real-time Tracking and Real-time Eye AF functionality. 8K footage is also ideally suited to flexible 4K editing.
4K movies at a high 120fps frame rate 15
The α1 supports high frame-rate internal 4K movie recording at up to 120fps, for smooth, expressive slow-motion playback at up to 5x. 10-bit 4:2:2 chroma subsampling can be used with Long-GOP or Intra (All-I) compression for outstanding image quality, while the new image sensor and BIONZ XR engine minimize image distortion.
4K with full sensor readout, no pixel binning, and 5.8K oversampling
In the Super 35 mode, approximately 2.3x the amount of data required for QFHD 4K is acquired through full-frame readout with no pixel binning, for beautifully imagery that is rich in detail.
(A) 2.3 times information
10-bit 4:2:2 chroma subsampling
10-bit depth, 4:2:2 chroma subsampling, a high-efficiency MPEG-H HEVC/H.265 codec, intra-frame coding, and more, support flexible editing and a variety of delivery formats.
Real-time Eye AF and Real-time Tracking for movies
The BIONZ XR engine features significantly improved detection, accurately tracking human eyes at a wider range of head angles. Also available for 8K and 4K 120p recording.
S-Log for compatibility with pro cine cameras
S-Log2 and S-Log3 are included. S-Log3 provides smooth 10-bit gradations and a dynamic range of 15+ stops. S-Gamut, S-Gamut3, and S-Gamut3.Cine color spaces supported.
10-bit 4:2:2 HLG (Hybrid Log-Gamma) support
High-dynamic-range HLG movies support the wide-gamut BT.2020 color space, and can be directly played on an HDR (HLG) compatible TV. 10-bit HLG recordings reproduce fine gradation and detail.
 High flexibility to fine-tune images as desired (color grading required)  Instant high-quality image (color grading not required)
16-bit RAW output
The α1 allows 16-bit RAW output to an external recorder via HDMI for improved post-production flexibility. RAW output via HDMI is available while recording 4K to internal card media.
Digital audio interface for superior sound
A digital audio interface delivers outstanding audio quality with compatible audio devices connected via the Multi Interface Shoe. Pristine digital audio 19 is delivered directly to the camera.
Heat-dissipating structure for extended recording
A newly developed heat-dissipating structure prevents overheating during continuous recording without increasing body size. Record 8K/30p or 4K/60p video continuously for up to 30 minutes.
The cinematic S-Cinetone look
The α1 includes the same S-Cinetone color matrix that produces beautiful color and skin tones in the VENICE, FX6, and other Cinema Line cameras. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights, responding to a growing need for more expressive depth.
"Active Mode" image stabilization 10
A new Active Mode dedicated to movie shooting makes 5-axis optical image stabilization highly effective for handheld shooting. It uses the BIONZ XR engine's real-time processing capability to apply optimum compensation in all formats, including 4K. All of this is realized without compromising the compact size and mobility of the α system.
High-performance electronic viewfinder
The 9.44 million-dot (approx.) OLED viewfinder in the α1 offers the highest resolution in the industry at this time 6. It features 0.90x magnification with a 41 ° FOV for a clear, wide view, and an updated structure that results in a 25-mm-high eyepoint. A 240fps refresh rate with UXGA FOV is another world-first, 6 for a clear view of fast action.
Panning shots with electronic shutter
Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON to improve display response and allow panning shots.
Seamlessly switch full-frame and APS-C formats
M and S size images have the same number of pixels and AF area in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:21MP] and APS-C [M:21MP] while shooting the same scene.
 Full Frame  APS-C
Separate settings for stills and movies
A subset of the settings now change according to the selected mode. This is ideal when you want to use different aperture, shutter speed, and other settings for shooting stills and movies.
New menu structure
Another feature requested by professional photographers and videographers: a revised menu structure for easier navigation, and touch-responsive menu operation for more intuitive control.
164 Functions are assignable to 17 custom keys as well as the front and rear dials. Independent function sets can be assigned for stills, movies and playback.
Touch menu control
Touch-responsive main and function menus with menu tabs on the left of the display, and related parameter groups and parameters on the right, make for easy navigation and tracking control.
High-reliability mechanical shutter
Shutter vibration is minimized while allowing continuous bursts at up to 10fps. The new shutter unit with advanced motor, brake, and dampers is good for more than 500,000 cycles.
Two CFexpress Type A-compatible media slots
Dual media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds.
High-capacity Z-series battery for extended recording
Shoot up to 530 stills per charge. Components and circuitry have also been designed to optimize power use. Get more capacity with two Z batteries in the VG-C4EM grip.
Improved dust- and moisture-resistant design 17
Sealing is provided at all body seams and the battery cover. The media slots have a double sliding cover and lock that keep water out. A lens lock button and mount cushion help too.
Durable magnesium alloy chassis
A light, rigid magnesium alloy enhances the durability of the top, front, and rear covers as well as the internal frame. 6 lens mount attachment screws add even more strength and rigidity.
Industry's fastest 6 built-in Wi-Fi supports 2x2 MIMO
Built-in wireless LAN allows communication on the 2.4-GHz and 5-GHz bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac). Dual antennas ensure reliable communication.
SuperSpeed USB 10-Gbps (USB 3.2) Type-C® connector
A USB Type-C® connector that supports fast USB 3.2 SuperSpeed USB 10-Gbps data transfer, making fast PC Remote (tethered) data transfer available for smooth handling of large files.
1000BASE-T Ethernet for fast communication
A built-in connector for wired 1000BASE-T connection enables fast, stable data transfers at gigabit speeds. FTPS is supported, allowing SSL or TLS encryption for greater security.
Versatile FTP connectivity
FTP still and movie uploads as well as remote camera control can be accomplished via wireless LAN, fast wired LAN, or a USB-tethered smartphone. File types for transfer can be specified.
FTP transfer of still and movie files
Stills and movies can be transferred to a remote FTP server via wireless LAN, high-speed wired LAN, or a wired smartphone connection. Wireless data throughput is about 3.5x faster than the α9 II.
Versatile remote (tethered) shooting functions
The Imaging Edge Desktop "Remote" application can be used for PC Remote (tethered) shooting via a wireless LAN or wired USB connection. Remote control from a mobile device is also possible.
Lossless compressed RAW
The α1 includes efficient lossless compression in addition to compressed and uncompressed RAW.
New "Light" JPEG size
A new "Light" JPEG size setting results in smaller files than the "Standard" setting, allowing faster delivery for news and sports photographers who depend on speed.
10-bit HEIF for smoother gradations
HEIF format can deliver smooth 10-bit gradations for more realistic reproduction of skies and portrait subjects. Advanced compression reduces file size for improved workflow efficiency.
Designed with the environment in mind
Sony is committed not only to offering products, services and content that deliver exciting experiences but also to working towards our goal of a zero environmental footprint throughout our business activities.
At a Glance
Maximum Photo Resolution and Frame Rates
50.1 MP up to 30 fps
Maximum Movie Resolution and Frame Rates
8K / 30p 4K / 120p HD / 240p
Maximum ISO Sensitivity
Photo: ISO 100-32000 (expandable: ISO 50-102400) Movie: ISO 100-32000 (expandable: ISO 100-32000)
Custom key settings, Programmable Setting (Body 3 sets / memory card 4 sets), My Dial Settings, My Menu, Reg Cust Shoot Set
Continuous Drive Speed (approx. max.)
AUTO/Electronic Shutter: Continuous shooting: Hi+: 30fps, Hi: 20fps, Mid: 15fps, Lo: 5fps, Mechanical Shutter: Continuous shooting: Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps
Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
No. of recordable frames (approx.)
JPEG Extra fine L: 182 frames, JPEG Fine L: 400 frames, JPEG Standard L: 400 frames, RAW: 238 frames, RAW & JPG: 192 frames, RAW (Lossless Compression): 96 frames, RAW (Lossless Compression) & JPG: 83 frames, RAW (Uncompressed): 82 frames, RAW (Uncompressed) & JPG: 78 frames
Pixel Shift Multi Shooting
Yes (4 shots / 16 shots)
10-sec. delay / 5-s delay / 2-s delay / Continuous self-time / Bracketing self-timer
Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)
+/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV [1/3 EV steps])
- Approx., effective
- Processing power compared to the BIONZ X imaging processing engine
- “Hi+” continuous shooting mode. In focus modes other than AF-C, effective at 1/125 sec. or higher shutter speed. In AF-C mode, effective at 1/250 sec. or higher shutter speed. The maximum continuous frame rate will depend on the shooting mode and lens used. 20 fps max. when shooting uncompressed or lossless RAW.
- At shutter speeds of 1/125 sec. or higher. The number of AF calculations will depend on the lens used.
- Using electronic shutter. Display updating will be slower at low shutter speeds.
- As of the January 2021 product announcement, Sony survey of full-frame interchangeable-lens digital still cameras.
- Full-frame up to 1/200 sec., APS-C up to 1/250sec. Synchronization via the sync terminal is not available for electronic shutter. Continuous shooting speeds are slower during flash use when shooting with the electronic shutter.
- Still image for humans, animals, and birds. Eye-AF for animals and birds not available in movie mode.
- 5.5-step shutter speed advantage based on CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.
- Slight 1.1x (10%) image crop in Active Mode. “Standard” setting recommended for focal lengths of 200mm or longer. Active Mode is not available for 8K recording or when recording at frame rates of 120 fps (100 fps PAL) or higher, or when using S&Q.
- ISO range ISO100-32,000, expanded to ISO50-102,400 for stills and ISO100-32,000 for movies.
- 15 stop for Still images. 15+ stops movie shooting with S-Log 3. Sony test conditions.
- 759 AF measurement points for still images. The number of points used varies according to the shooting mode.
- APS-C and Super 35 modes are not available when shooting 4K 120p and 8K movies.
- 120p has a 1.1x crop. XAVC S-I (S&Q) 4K 120p 10-bit 4:2:2 requires CFexpress Type A (VPG200 or higher). XAVC S-I 4K 60p 10-bit 4:2:2 requires SDXC V90 or faster. XAVC S / XAVC HS 4K 120p 10-bit 4:2:2 requires SDXC V60 or faster. XAVC S HD 240p 10-bit 4:2:2 requires SDXC V60 or faster. CFexpress Type A supports all internal shooting modes.
- Requires optional compatible external recorder.
- Not guaranteed to be 100% dust and water resistant.
- Image size after compositing is approx. 49.7 million (8640 x 5760) pixels for 4-image shots, and approx. 199 million pixels (17280 x 11520) for 16-image shots. Four 49.7 megapixel images, provide approx. 199 million pixels, and sixteen 49.7 megapixel images provide approx. 796 million pixels before compositing.
- When paired with optional compatible microphone like the XLR-K3M digital microphone adaptor kit
- Approx. 1.5x compared to the α9 II using electronic shutter. Slight distortion may be noticeable in some shooting situations. Shutter speeds slower than 1/2 sec. cannot be selected.
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Sony, the Sony logo, the Alpha logo, Exmor R and BIONZ XR are trademarks of Sony Corporation. All other trademarks are trademarks of their respective owners.